The romantic drama We Live in Time, featuring Andrew Garfield and Florence Pugh, is set to premiere on Max on Friday, February 7, 2025. The film will also air on HBO’s linear channel the following day, Saturday, February 8, at 8:00 p.m. ET.
Film Overview
Directed by John Crowley and written by Nick Payne, We Live in Time narrates the decade-spanning relationship between Almut (Pugh) and Tobias (Garfield). Their chance meeting leads to a profound connection, and the story unfolds through snapshots of their shared experiences—falling in love, building a home, and starting a family. However, they confront a challenging truth that tests the foundation of their relationship, compelling them to cherish each moment together.
Theatrical Release and Reception
The film premiered at the Toronto International Film Festival before its U.S. theatrical release on October 11, 2024. It received positive reviews, with critics praising the chemistry between Garfield and Pugh. We Live in Time holds a 78% “fresh” rating on Rotten Tomatoes based on 203 reviews. The Critics Consensus states, “Andrew Garfield and Florence Pugh’s palpable chemistry will snatch audiences’ hearts before breaking them in We Live in Time, a powerful melodrama that uses its nonlinear structure to thoughtfully explore grief.”
Box Office Performance
According to industry reports, the film earned $24.6 million domestically and $14.1 million internationally, totaling a worldwide box office gross of $38.8 million. A24 has not disclosed the production budget for the film.
Streaming Availability
We Live in Time will be available exclusively on Max starting February 7, 2025. Max offers subscription plans at $9.99 per month with ads or $16.99 per month without ads. An ad-free tier with 4K Ultra HD programming is available for $20.99 per month. Non-subscribers can purchase or rent the film through digital streaming platforms via premium video on demand.
Cast and Crew Insights
In a recent interview, Andrew Garfield discussed how the film’s themes resonated with his personal experiences of grief. He stated, “The script spoke to me about the shortness and sacredness of life, and about living with courage and boldness and vulnerability in the face of the inevitable greater opponent.”
